May 19th, 2012

How it works *sometimes*0

The idea for the above picture popped into my head almost unbidden. This is how realising that idea came to pass.
Last winter I was mucking about in Leigh Woods shooting ultra-long exposure images of myself, inspired by Alejandro Chaskielberg’s images made by moonlight and published in Burn magazine. I never really made any good images, but became acquianted with the effect and technique. The bright lights of Bristol painted everything an unusual orange, unlike the uncontaminated skies in Alejandro’s work, and I didn’t really have a subject.
The idea went in my mental toolbox.  It was only when the pumptrack was built under the Brunel way flyover that I found a use for it. The image in my head looked quite different. I didn’t anticipate how bright the floodlights would be, relative to the bright mountainbike lights. We used two powerful exposure mountainbike lights to produce the shape hovering above the trail. While setting up I knew I would be a long way from the pumptrack, stuck up on a ramp up to the flyover, so I had a friend assisting and keeping an eye on my gear. She actually found the angle from which this photo was taken, speeding things up immensely. I set up my tripod, dialled in the exposure at around 90 seconds or three laps of the pumptrack. Unfortunately the rear light of the bike did nothing to illuminate the “away from camera” legs of the track so our tame mountainbiker had to ride the track twice forwards and once backwards to get complete coverage. He still persistently laps me when we ride the track, I guess he got in a lot of practice while I sorted the balance of natural, flash and bike light out.
After sorting out these details we made the above image, I wanted my flashes to freeze the rider in the dark under the flyover (top left) and then his headtorch light join with the light of the pump track to make a continuous loop. This was possibly a little unreasonable as it meant riding onto the pumptrack at an awkward angle while looking in the completely wrong direction. Because he hadn’t managed that minor miracle, you can see a gap in the above image. So I asked for another go, however three bmx’ers had shown up and riding the track backwards is considered impolite to other users. They turned out to be polite and we managed to make the picture when they were having a break. In the end I actually quite like having them sat semi-motionless amongst the ethereal tracery over the track itself. The flashes fired badly on the last go and the picture worked better when I cropped out the ‘frozen’ rider. Sometimes you get that better picture by going with the flow, just a little bit.

I want to be… a tree…0

This tree.

This tree is so unbelievably badass that when it was knocked down by a storm it just shrugged its branches and went on growing.

Sideways.

Now its like ten trees.

Washout0

So its been awhile. With good reason. This hasn’t been my best year of photography yet. I spent a wonderful three weeks in Melbourne and New Zealand, but photographically it was a washout. I was hoping for my Holga frames to produce something unexpected and beautiful (isn’t that the point in a Holga?) they arrived today and it wasn’t to be.

So I’ll work to do better this coming year. My taste has improved, I have diagnosed a lot of the blandness in my lighting and I’m itching to try some new stuff. There are some local magazines and publications I am interested in shooting for and Bristol is bursting with life and energy. I hope to take a workshop (or two) and find the passion I lacked this year.

In the meantime, enjoy the flower macros. I will see you in the new year.

Two weekends in Bristol0

Guy Fawkes night and the annual Zombie walk.

Does your Strobist shoot look like this?0

Another photograph I needed to get out of my head. Inspired by a winner at the BP portrait awards and realised with the help of everyone you see in the picture (except James! Who was genuinely asleep…). I have been to a dozen Strobist photoshoots and often wondered if the photoshoot would make a more interesting picture than the ostensible subject. It is also quite strange to be surrounded by large & obscure pieces of lighting equipment, often at quite close quarters, while someone points a merciless piece of digital recording equipment at you. Here I put my camera on a tripod and triggered it from the camera you see in my hands. Some more work could be done to make the light more ‘motivated’ and find excuses for the beauty dish on the changing are and the orange gelled strobe on James. The studio you see belongs to Scott Hunter (http://www.shot2stun.com/) and was extremely well equipped including the beer you see on the floor and a lovely boomed & gridded softbox.

Black Cannon Collective DH0

Timed practice DH riding at the Black Cannon Collective’s trails near Frome. More photos here:

Be bold and well toned poledancers will come to your aid…0

David and Rosie’s wedding0

Back online!1

David and Rosie Wedding

And SO much to post!

Mixing.0

Imhotep theme designed by Chris Lin. Proudly powered by Wordpress.
XHTML | CSS | RSS | Comments RSS